Paul McCartney and Wilfrid Brambell at Marylebone Station during the filming of the opening scene for A Hard Day’s Night.
Scanned from “The Beatles Film” souvenir magazine (1964).
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Paul McCartney and Wilfrid Brambell at Marylebone Station during the filming of the opening scene for A Hard Day’s Night.
Scanned from “The Beatles Film” souvenir magazine (1964).
Paul getting his disguise put on at Marylebone Station during the filming of A Hard Day’s Night.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
Filming A Hard Day’s Night at Marylebone Station, 12 April 1964.
Scanned from “The Beatles Film” souvenir magazine (1964).
The Beatles filming A Hard Day’s Night at Marylebone Station, 1964. Photo - I think - by David Hurn.
The Beatles, Marylebone Station, April 1964
David Hurn: “More Keystone Cops capers with the Beatles running in and out of phone booths. They were actually filming this scene and once more I was shadowing the camera crew. You can tell by the Beatles’ intense faces that the cameras are rolling. When they were rehearsing their parts they were always much more relaxed and always had a joke with those around them. This, being a long-range photo, was taken with a Canon. For my close-ups I used a Laika.”